Categories: Fiction

THE BLACK HILL

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Set in the mid-nineteenth century, the action takes place in the Northeast—the region that spreads from Assam to Arunachal today. The East India Company is seeking to make inroads into the region and the local people—in particular the Abor and Mishmee tribes—fear their coming and are doing all they can to keep them out of their territories. The author takes a recorded historical event—the mysterious disappearance of a French priest, Father Nicolas Krick in the 1850s and the execution of Kajinsha from the Mishmee tribe for his murder—and woven a gripping, densely imagined work of fiction around it. And, even as the novel tells the story of an impossible journey and an elopement, it explores the themes of the lure of unknown worlds, the love people have for each other and their land and the forces of history. Gimur, a girl from the Abor tribe, runs away with Kajinsha from the Mishmee tribe, and they settle down on his land near the Tibetan border. Father Krick’s attempts to reach Tibet to set up a Jesuit mission are foiled repeatedly by the local people not because of any personal animus towards the priests or their work, but because they feel—rightly—that once the priests come, the British, with their guns and their garrisons will follow. The story revolves around events in Gimur’s and Kajinsha’s villages and is also seen from the point of view of Father Krick, a gentle, intelligent man, devout but no bigot, whose determination to reach Tibet no matter what the cost, impacts tragically on all those who encounter him.

THE BOOK OF CHOCOLATE SAINTS

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In incandescent prose, award-winning novelist Jeet Thayil tells the story of Newton Francis Xavier, blocked poet, serial seducer of young women, reformed alcoholic (but only just), philosopher, recluse, all-round wild man and India’s greatest living painter. At the age of sixty-six, Xavier, who has been living in New York, is getting ready to return to the land of his birth to stage one final show of his work (accompanied by a mad bacchanal). As we accompany Xavier and his partner and muse ‘Goody’ on their unsteady and frequently sidetracked journey from New York to New Delhi, the venue of the final show, we meet a host of memorable characters—the Bombay poets of the seventies and eighties, ‘poets who sprouted from the soil like weeds or mushrooms or carnivorous new flowers, who arrived like meteors, burned bright for a season or two and vanished without a trace’, journalists, conmen, murderers, alcoholics, addicts, artists, whores, society ladies, thugs—and are also given unforgettable (and sometimes unbearable) insights into love, madness, poetry, sex, painting, saints, death, God and the savagery that fuels all great art. Narrated in a huge variety of voices and styles, all of which blend seamlessly into a novel of remarkable accomplishment, The Book of Chocolate Saints is the sort of literary masterpiece that only comes along once in a very long time.

THE BRIDE'S MIRROR

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‘One of the greatest prose writers in Urdu.’—India Today. The Bride’s Mirror (Mirat ul-‘Arus) was the first bestseller in Urdu. First published in 1869, within twenty years it had gone into several editions and sold over 100,000 copies. An English translation was published in England in 1903 by G. E. Ward, and the book has been almost continuously in print ever since. The novel tells the story of two sisters, Asghari and Akbari, who are married to two brothers in Delhi. Akbari, the spoilt, mean-tempered and impetuous sister, fritters away all the advantages she is offered and makes a mess of her life. Asghari, who has to contend with all sorts of disappointments and setbacks, prevails in the end and makes a success of everything she turns her hand to. All through its existence, The Bride’s Mirror had been hailed as one of the most important works of Urdu literature ever published. The portrait it provides of the lives of those who lived in Delhi over a hundred years ago is an indelible one.

THE CLIFFHANGERS: A NOVEL

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‘With The Cliffhangers, Sabin Iqbal marks an impressive literary debut through this coming-of-age tale set within a sleepy coastal village in Kerala, brought to life by a striking narrative infused with nostalgia, an awareness of fractured identities and characters who expose the frailties of our own humanity.’ —Shashi Tharoor. ‘Sabin Iqbal writes about a terrain and its people with the kind of magic that makes you want to visit the book’s setting and strike up a conversation with its characters. The Cliffhangers is the story of struggles and redemption. And Iqbal narrates it with wisdom and grace.’ —Anees Salim. ‘The Cliffhangers may never know greatness but Iqbal ensures we will always know what they hoped to be.’ —Deepak Unnikrishnan. On New Year’s Eve, a tourist is raped in Kadaloor, a tranquil fishing village on the southern coast of the country. The chief suspects are a group of teenaged boys (called the Cliffhangers). As they attempt to prove their innocence, the boys also have to deal with the spectre of communal intolerance that is beginning to divide the Hindu and Muslim fishermen and villagers. Numerous small incidents, in which the boys are sought to be implicated, help ratchet up the stress. The growing communal tension and the hunt for the real rapist intersect, propelling the village to the edge of disaster. In The Cliffhangers, Sabin Iqbal gives us a brilliant debut novel that illuminates hard truths about the religious fault lines that are dividing the country.

THE COLLECTED STORIES OF SAADAT HASAN MANTO

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Saadat Hasan Manto (1912–1955) needs no introduction. One of the greatest stars of Urdu literature, Manto published over twenty collections of short stories in a literary career spanning almost two decades. Several of these have been adapted into films and plays that have won a multitude of awards and his stories about the 1947 Partition remain some of the best accounts ever written on the catastrophic event. This book is the first of a three-volume series which will contain all of Saadat Hasan Manto’s 255 known stories translated into English for the very first time. Volume I collects fifty-four stories and two essays written by Manto about his time in Bombay and Poona in colonial India. The anthology includes well-known stories like ‘Mummy’ and ‘Janki’, which provide rare insights into the Poona film industry; the fascinating story of ‘Babu Gopinath’; and ‘My Marriage’ and ‘My Sahib’, two essays that read almost like stories. These meticulous translations by award-winning writer and translator Nasreen Rehman, distil the aura that Manto creates of a time, a place, and a moment.

THE COMPETENT AUTHORITY

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A couple of decades from now, India is not shining—the Chinese have nuked large parts of the country; Bombay has been obliterated; Delhi is in the throes of rigorous reconstruction; Bengal has seceded and is now a protectorate of China; the Maoists have taken over much of what remains. The southern states are a distant and tranquil place that nobody has visited in years. The most powerful person in the country is a deranged bureaucrat called the Competent Authority, who has used his official position as the head of the Bureau of Reconstruction, to subvert all forces of governmental authority. Cloaked in anonymity, his identity known only to his terrified minions, the CA rules the remnants of India with an iron fist. Although, in theory, the government and the armed forces still exist, the Prime Minister, who looks very familiar, and the General, who commands the Army, are mere puppets in the hands of the Competent Authority. All they can do is watch in horror as he tries to put in motion a fiendish plan to annihilate everyone in the country, for reasons that are completely logical. The only person who can stop him is Pintoo, a mutant twelve-year-old from Shanti Nagar, where all the poor people live. Determined to thwart the CA’s plan and save the country from disaster, Pintoo employs three reluctant henchmen to help him: Pande, a corrupt and vicious policeman, Chatterjee, a pessimistic but determined CBI officer, and Ali, the last surviving member of Al Qaeda.

THE DEMON HUNTER OF CHOTTANIKKARA

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Deep within the peaceful land of Kerala lies a small village called Chottanikkara that is infested with horrifying demons—towering brahmarakshasas, former priests who have become demons after committing abominable sins; kollivaipei, devils that have torches of fire in place of mouths; mohini pisaacha, who seduce men by taking the form of beautiful women, and suck the breath out of their victims; vethaalam who cling to the backs of those they prey on, making them hunch over in agony; jalpisaacha, who lurk in old, disused wells waiting for unsuspecting humans to dive into the water so they may possess them; pretha, who are covered in hyena-like fur, and specialize in feasting on the bodies of half-burnt corpses in cremation grounds, and many others more. All these demons crave the sweet blood of humans and their herds of cattle, goats and chickens. The only defence the terrified villagers have against these monsters is Devi, a demon hunter skilled in all the arts of war and exorcism. Every time the demons creep out of their accursed haunts, she and her faithful companion, an enormous lion called Ugra, hunt them and slay them ruthlessly. Until now. For a creature out of her worst nightmares is spreading terror throughout Chottanikkara, a monster so evil and powerful that it is immune to every weapon and magic art that Devi possesses. For the first time in her life, as she prepares for her final showdown with the demon, Devi is wracked with fear, and indecision, for this one battle she knows she might lose… Part supernatural thriller, and part horror story, The Demon Hunter of Chottanikkara announces the arrival of a ferociously gifted storyteller.

THE ESSENCE OF DELHI (HB)

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One of the meanings of the word ‘olio’ is ‘a miscellany’. The books in the Aleph Olio series contain a mélange of the finest writing to be had on a variety of Indian themes—the great cities, aspects of Indian culture and civilization, uniquely Indian phenomena. Filled with insights and haunting evocations of a country of unrivalled complexity, beauty, tragedy and mystery, each Aleph Olio book presents India in ways that it has seldom been seen before. The Essence of Delhi captures the ‘riches and horrors’ (in William Dalrymple’s phrase) of the myriad cities of Delhi, beginning with the first one established by Suraj Pal, a Tomar Rajput,at the edge of the Aravalli Hills.

THE GREATEST BENGALI STORIES EVER TOLD

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Some of the world’s finest short fiction has originated (and continues to flow) from) the cities, villages, rivers, forests and plains of Bengal. This selection features twenty-one of the very best stories from the region. Here, the reader will find one of Rabindranath Tagore’s most revered stories ‘The Kabuliwallah’ in a glinting new translation, memorable studies of ordinary people from Tarashankar and Bibhutibhushan Bandyopadhyay, the iconic Sarat Chandra Chattopadhyay’s wrenching study of Bengali society, ‘Mahesh’, as well as over a dozen other astounding stories by some of the greatest practitioners of the form—Buddhadeva Bose, Ashapurna Debi, Premendra Mitra, Satyajit Ray, Ritwik Ghatak, Mahasweta Devi, Sunil Gangopadhyay and Nabarun Bhattacharya, among others. These are stories of anger, loss, grief, disillusionment, magic, politics, trickery, humour and the darkness of mind and heart. They reimagine life in ways that make them unforgettable.

THE GREATEST ENEMY OF RAIN (HB)

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The Greatest Enemy of Rain presents fourteen memorable short stories about the mundane and mysterious aspects of everyday life of the eccentric and oddball characters that occupy its pages. These unforgettable men and women grapple with questions of life and death, newfound freedoms, lifelong vendettas, love and longing, and memories of days gone by. In ‘The Greatest Enemy of Rain’, Gopi recounts the ups and downs of his lifelong quest to outsmart a formidable enemy—the persistent Kerala rain. In the ancient India of ‘These New Fangled Ways’, Mista decides to do what no one has done until then—cooking over fire—even as her parents swoon and faint in the background. In ‘Shabari and Anita’, a couple eschews the humdrum activity of daily life to pursue new trends in men’s fashion and beauty at their shiny new salon. ‘The Answer’ is a befitting response to the epic highs and lows of a supercomputer tasked with proving the existence of God. Written with Manu Bhattathiri’s characteristic wit and humour, The Greatest Enemy of Rain is a breezy exploration of the peculiarities of human nature.