Categories: Fiction

DEATH IN SHAMBLES

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Lionel Carmichael, a retired police deputy inspector general, is looking forward to living a quiet, solitary life in the hill station of Debrakot, with an assortment of eccentric neighbours for occasional company. His plans are upended when he is asked by a former colleague, SHO Thapliyal, to help out in a double murder case. The scene of the crime is the ghostly Shambala Villa, or ‘Shambles’, as it is known to the residents of the town, named thus due to its decrepit appearance. The victims of the brutal crimes are Reuben Sabharwal, a self-styled god-man who dabbles in the mysterious and occult, and an unknown woman, dressed in a pale green sari, found hanging by a noose near Reuben’s body. Trudging through the monsoon rains of Debrakot, Lionel embarks on his journey towards the truth, only to become more and more entangled in a web of deceit and lies. Even as a myriad powerful forces attempt to stop him, Lionel continues to push for the truth—until the sleepy little hill station finally gives up its grim secrets.

EM AND THE BIG HOOM (PB)

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In a one-bedroom-hall-kitchen in Mahim, Bombay, through the last decades of the twentieth century, lived four love-battered Mendeses: mother, father, son and daughter. Between Em, the mother, driven frequently to hospital after her failed suicide attempts, and The Big Hoom, the father, trying to hold things together as best he could, they tried to be a family.

HARIJAN A NOVEL

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First published in the Odia in 1948, and translated for the first time here into English by Bikram Das, Gopinath Mohanty’s Harijan is one of the most original and radical Indian novels of the twentieth century. It brings to vivid life the story of a group of Mehentars living in a slum. Cleaning latrines with their bare hands is the only work that they can hope to find as their caste excludes them from every other occupation. The leader of this group is the middle-aged and foul-mouthed Jema who starts her day by gulping down a potful of liquor and smoking pinkas in order to deal with the stench of the excreta. One day, Jema comes down with a fever and is unable to go to work. Fourteen-year-old Puni offers to take her mother’s place. The next morning Puni wakes up early, bathes, puts on a clean sari, and dabs some cheap perfume on her skin. Stepping out of the hut excitedly, she picks up basket and broom. When she arrives at the first latrine, the stink hits her with the force of a hammer blow. She drops her basket and broom, turns around, and is trying to run away, when her friends stop her. ‘This is what you will have to do every day for the rest of your life! It is your fate!’.Avinash Babu lives in a palatial house next to the slum. He is planning to evict the Mehentars in order to develop the slum into a residential colony. One night, a fire breaks out and the entire slum is burned to the ground. The Mehentars leave the slum carrying their remaining possessions on their backs. They have nowhere to go but they are past all worries—they know that no matter where they go, they will still be cleaning excrement, for they are Harijans.

OUTCASTE (PB)

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Outcaste ( Brushte in the original Malayalam) is a powerful story of the revenge a single woman named Paptikutty wreaks on her community for the monstrous injustice done to her. It is based on the 1905 trial of a Namboodiri woman for adultery and the revenge she exacted on her sixty-four lovers, who belonged to the most powerful families of the land. In the novel, Paptikutty is an avatar of Goddess Kali herself, bringing justice and revolution wherever there is corruption and sin. The Namboodiri Brahmins were the most powerful community in Kerala in the period in which the novel is set, more powerful than the King himself. Bound by rigid customs and rules, they silenced everyone who opposed them in their quest for more wealth and power. Namboodiri women were confined to the inner quarters of the house, where they lived in squalor and degradation. The influence of the Namboodiris grew unchecked until the end of the nineteenth century, when Paptikutty’s act of vengeance weakened the community from within. Passionate and gripping, Outcaste is an unforgettable indictment of the injustices perpetuated by upper caste men—a continuing problem in Indian society.

PRELUDE TO A RIOT (HB)

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In a peaceful southern town, amidst lush spice plantations, trouble is brewing. In the town live three generations of two families, one Hindu and the other Muslim, whose lives will be changed forever by the coming violence. At risk are Dada, the ageing grandfather who lovingly tends and talks to the plants on his estate; his strong-willed grandchildren, Abu and Fareeda; the newly married Devaki, who cannot fathom the forces that are turning her husband and her father into fanatics; Mariam, of the gifted hands, who kneads and pounds the fatigued muscles of tourists into submission; and Garuda, the high-school teacher who, in his own desperate way, is trying to impart the truth about the country’s history to a classroom of uninterested students. Quietly but surely, the spectre of religious intolerance is beginning to haunt the community in the guise of the Self-Respect Forum whose mission is to divide the town and destroy the delicate balance of respect and cooperation that has existed for hundreds of years.

RABINDRANATH TAGORE FOR THE 21ST CENTURY READER

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Rabindranath Tagore is the second most popular literature laureate of all time (after John Steinbeck) according to the official website of the Nobel Prize. Writers ranked below him on the popularity chart include Gabriel Garcia Marquez, Pablo Neruda and Ernest Hemingway. Tagore won the prize in 1913, but a hundred years later readers continue to flock to his work because it possesses all the qualities essential to keep it fresh and relevant despite the passage of time—big ideas, complex themes, stylistic brilliance, a deep engagement with nature, beauty, family, love, and passion, and above all, a profound timelessness. Keeping the 21st century reader firmly in mind, this volume brings together some of Tagore’s most celebrated works. In The Home and the World, perhaps his most popular novel, intricate issues of devotion—to the motherland and to the family—are explored through a story of two friends and a woman coming into her own. The Monk-King, with its devious priest and marauding armies, is also about the power of sacrifice and loyalty. In ‘The Laboratory’, Tagore’s last short story, he creates a world that is materialistic and amoral with a light yet ruthless touch. In poems like ‘Camilla’ and ‘An Ordinary Girl’ he describes the sadness of unrequited love. His drama, Chandalika, is about the angst and helplessness of being in love with an unattainable ideal. Brilliantly translated by Arunava Sinha, this selection of Rabindranath Tagore’s fiction, poetry, lyrics and drama is evidence of his position as one of the world’s greatest writers and reinforces the enduring nature of his words, emotions and beliefs.

RHODODENDRONS IN THE MIST (HB)

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In his new collection of stories, many of which have never been published before, bestselling writer Ruskin Bond collects together his finest tales of the Himalaya, the mountains he has called home for over fifty years. One half of the book is devoted to unsettling, sometimes terrifying stories of murder, mystery, and the supernatural. Kicking off with the sinister ‘Rhododendrons in the Mist’, a brand-new story, this section assembles chilling stories like ‘A Face in the Dark’, ‘Eyes of the Cat’, ‘Panther’s Moon’, and ‘The Skull’. The second section comprises tales that concern themselves with the everyday drama of life in the Himalaya. Starting with the autobiographical ‘Breakfast at Barog’, which has never before appeared in print, this section includes timeless stories like ‘The Blue Umbrella’, ‘The Cherry Tree’, and ‘A Long Walk for Bina’. The book concludes with an enthralling new story, ‘The Garden of Dreams’. Singular and unforgettable, Ruskin Bond’s new collection shows us once again why he is the country’s most addictive writer.

RUMBLE IN A VILLAGE (HB)

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Anil Singh, a banker working in London, finds out that his uncle has died in Palanpur, a village in north India, and that he is the sole heir. Egged on by his India-loving girlfriend, Pat, Anil decides to go and take charge of his property (a small house and some farmland) and learn more about the country his parents came from. An ardent photographer, he takes his cameras along to avoid boredom and with the hope of later publishing the photos of the village in a coffee-table book. He even thinks he might try his hand at being a gentleman farmer. On the way to the village, Anil discovers that his uncle was murdered and that the police have arrested his uncle’s domestic help, a Dalit woman named Neetu, but no one believes that she could be the killer. While the murder mystery is one thread of the story, we follow Anil as he bumbles along through Palanpur, making friends and mistakes. He is determined to help the villagers by bringing modern amenities and development to the village. This leads him on a sometimes confusing, yet eye-opening journey through the myriad complexities of northern India—the politics of different caste groups (the Thakurs, the Muraos, the Dalits), jealousy, corruption, bureaucratic nightmares, poverty, gender disparity, power struggles and the turmoil of a village divided. Rumble in a Village starts out as a murder mystery but the narrative soon broadens into an entertaining and insightful fictional look at life in an Indian village. Peopled with colourful characters such as the seemingly innocent Babu who befriends Anil and starts working for him; the village headman, Rampal; Kishan Lal, who teaches Anil about farming and life in Palanpur; Captain, an army man who drops mysterious hints about the murder and much else; Ashok Kumar, the lawyer who helps Anil make sense of the property he has inherited; the beautiful and dedicated teacher, Smita; the obnoxious police superintendent, BKS; and many others (including a bad tempered billy-goat), the novel, based on Jean Drèze’s observations as a young researcher in a real-life village, paints a compelling portrait of the darkness and light that invest the lives of villagers in northern India.

SHILAPPADIKARAM

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Shilappadikaram is a tale of wonders and misfortunes, of hapless mortals and capricious deities, of magic and heroism in a bright but also cruel world in which the law of karma rules and where ‘actions committed in past lives must always bear fruit’. Thus the peerless young Kovalan will leave his loyal wife Kannaki for the courtesan Madhavi, and though he returns to her, still meets his death because of her ill-omened ankle bracelet. It has been called an epic and even a novel, but it is also a book of general education. Ilango packed his story with information: history merging into myth, religious rites, caste customs, military lore, descriptions of city or country life. And four cantos are little anthologies of the poetry of the period (seashore and mountain songs, hunters’ and milkmaids’ songs), thereby giving us a vivid picture of early Indian life in all its aspects.

SIX AND A THIRD ACRES: A NOVEL (PB)

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Six and a Third Acres was the first modern Odia novel, and has remained at the heart of Odia literary excellence ever since. It was published as Chha Mana Atha Guntha in the literary monthly Utkal Sahitya between 1897–99. Over a century after it was first published, this sombre tale continues to attract readers because of Fakir Mohan Senapati’s innovative technique, indelible characters, wit, imagination, and tremendous insights into the rural milieu. The novel is about village politics, caste oppression, malpractices, and land-grabbing under the zamindari system in colonial Odisha. Ramchandra Mangaraj, a sly zamindar of the village of Govindpur, is notorious for taking over the lands of poor peasants and farmers. This time, his avaricious gaze falls on a small patch of land—six and a third acres—belonging to a humble, god-fearing weaver couple. Unable to fight the zamindar’s devious schemes, the couple succumbs to the harsher realities of caste-ridden village life…. This exceptional new translation by Leelawati Mohapatra, Paul St-Pierre & K. K. Mohapatra breathes new life into one of the most brilliant novels in Indian literature.