The image of Buddha in Gandhara style depicted in the padmasana pose is one of the most popular images of the world. This image is connected with the symbol of Buddhism apart from the Ashoka Chakra. Throughout ancient India Buddha’s image gained popularity in the formation of Mahayana Buddhism. The major question that comes forth is how this art came into being during ancient times. This small volume on Buddhist art by Coomaraswamy challenges the notion that Buddha’s image did not emerge from the IndoGreek and other nonIndian art styles like Kushana or Bactrian. He asserts that Buddha’s icon and its representation in various forms found in monuments sculptures and other archaeological structures was prevalent in the preexisting Indian art forms. The book discusses the symbolisms necessity of Buddha’s image and anthropomorphic iconography in the creation of Buddha’s icons available in early India and talks about the differences in Indian and historicity of Gandhara and Mathura art. The author writes further that Gandhara art is Indic and not European. This book is highly recommended for scholars and researchers interested in Buddhist art. About the Author Ananda K. Coomaraswamy (22 August 1877–9 September 1947) is a Ceylonbased metaphysician historian theorist and philosopher of Indian art. He brought the Indian tradition of art into the western world. He was also seen as the bridgemaker between western and Indian art and philosophy as he was much inspired by Hindu and GrecoRoman traditions. His works were influenced by the Traditionalist and Perennial Schools of Philosophy. He authored several books which were based on the traditional arts metaphysics and social criticism. He was also the curator of Indian art at the Boston Museum of Fine Arts.
